ACT I – 55 minutes
ACT II – 50 minutes
ACT III – 45 minutes
There will be two ten-minute intermissions.
This production features strobe lighting effects, strong language, and the depiction of violence.
“The Laramie Project” is presented by Moisés Kaufman and the Members of Tectonic Theater Project
Originally produced in New York City at the Union Square Theatre by Roy Gabay and Tectonic Theater Project in association with Gayle Francis and the Araca Group Associate Producers: Mara Isaacs and Hart Sharp Entertainment.
LEAD PRODUCTION TEAM
DIRECTOR
Fabrice Conte-Williamson
ASSISTANT DIRECTOR
Octavio Hernandez*
SCENIC DESIGNER
Jody Sekas
COSTUME DESIGNER
Misti Bradford
LIGHTING DESIGNER
Jess Baker
SOUND DESIGNER
Kevin Gray
PROPS HEAD
Mykah Melone*
STAGE MANAGER
Taylor Ireland*
TECHNICAL DIRECTOR
Jody Sekas
DRAMATURG
J Lofty*
* Indicates undergraduate BA student
DIRECTOR'S NOTES
LARAMIE, THEN AND NOW.
In September 1998, NBC’s fall lineup featured a new sitcom, Will & Grace, which would become one of the network’s highest-rated programs for eight consecutive seasons—with an additional three-season reboot a few years later. The show prominently featured two openly gay men: Will, a well-established Manhattan attorney, and his friend Jack, an aspiring actor/dancer/choreographer. NBC’s decision to pick up Will & Grace was somewhat of a surprise given that ABC had recently cancelled Ellen Degeneres’ sitcom Ellen, following the controversy that ensued after the main character came out as a lesbian, resulting in a sharp drop in advertisers and an intense backlash from conservative lobbies.
The first season of Will & Grace was a moderate success though the summer reruns would establish it as must-see TV for the remainder of its run. The show’s success allowed gay characters and their stories to enter the homes of millions of Americans across the country, thus contributing to the growing visibility of queer people in the greater cultural landscape. Within the limitation of primetime network television, Will & Grace provided somewhat compelling portraits of gay men navigating big-city life. The show’s legacy was ultimately cemented when then Vice-President Joe Biden credited the sitcom for having done more to shift public perception on the issue of LGBTQIA+ rights than anything else during an interview on Meet the Press in 2012.
The year 1998 was also a turning point in American politics. Tammy Baldwin made history by being the first woman from the state of Wisconsin elected to the House of Representatives and the first openly-gay member of the United States congress. Today, Baldwin is serving her second term as a U.S. senator and continues to advocate for the rights of LGBTQIA+ Americans.
Despite the cultural and political progress for the Equality Movement that defined the closing years of the 20th century, queer history remembers most vividly the brutal murder of Matthew Shepard, a gay University of Wyoming student who was found beaten and tied to a buck fence on the outskirts of Laramie in October 1998. Gay bashings and other forms of violence against perceived queer people was nothing new in the United States. However, Matthew’s attack—and later death—quickly captivated the country’s interest in a way that was simply unprecedented. The media frenzy and the public’s appetite for the graphic news stories resulted, perhaps, from the stark contrast between the pictures of Matthew that circulated in the press, in which he looks like an All-American teenager, and the gruesome details of the case depicting the merciless torture he had endured at the hands of his two assailants. Matthew’s murder was in fact a kind of wakeup call for the country, now forced to confront the reality of its deep-seated homophobia and the resulting physical, emotional, social, political, and cultural violence against queer Americans.
A few months after their son’s death, Judy and Dennis Shepard created the Matthew Shepard Foundation, an organization dedicated to amplifying “the story of Matthew Shepard to inspire individuals, organizations and communities to embrace the dignity and equality of all people.” Among its many achievements, the foundation helped pass the Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act in 2009, which expands the 1969 federal hate-crime law to include crimes motivated by a victim's actual or perceived gender, sexual orientation, gender identity, or disability.
The faculty and staff of the Theatre Arts department selected The Laramie Project to open our 2023/2024 season to mark the 25th anniversary of Matthew Shepard’s murder and to honor Matthew’s legacy. We believe that, despite the growing visibility of queer people in American life and some recent groundbreaking legislative achievements such as the 2015 Supreme Court ruling that struck down state bans on same-sex marriage, the rights and well-being of LGBTQIA+ Americans are still under threat. In the past decade, far-right extremist groups have worked diligently to force the removal of books featuring queer characters or themes from public and school libraries, erase LGBTQIA+ history from school curricula, thwart efforts to create a lasting climate of equity, diversity, and inclusion in our workplaces, and prohibit drag performances in the name of “parental rights.” As seen recently in news stories across the country, these efforts have paid off and have resulted in a significant increase in violence against the queer community, including queer youth—a group far more likely to consider, attempt, and die by suicide then their heterosexual peers. We hope that this production of The Laramie Project will invite all members of our community to reflect on our ability and responsibility to ensure the safety of our queer children, friends, students, and neighbors. May this play be a call for action toward a more just future where no one is at risk of losing their life because of who they are and who they love.
DRAMATURG'S NOTES
Despite the events of The Laramie Project taking place only 25 years ago, it is perhaps tempting to think of them as distant. While watching this play, it may be easy to hear the unsettling statements or casually homophobic views many of the people in this story express, and see them as lost remnants of the past. The statistical majority of people in the late 90s believed that homosexual relationships were morally wrong, and many today may think of those days as long gone. It really is remarkable how fast-acting the 21st century gay rights movement has been. Nowadays, America has made amazing advancements such as Supreme Court cases Lawrence v Texas (2003) which ended anti-sodomy laws, and Obergefell v Hodges (2015) which legalized same-sex marriage. In addition to that, we have had much more queer visibility in the media and in everyday life in recent decades. Some may be under the false impression that there is little left to fight for.
However, sadly, this assumption couldn’t be more wrong. According to The Marshall Project, between 2020 and 2021, the FBI counted that the number of anti-queer hate crimes jumped by 70%, which may even be an undercount. The legal rights of queer people are held in the balance by a conservative majority Supreme Court, which threatens to strip away the advancements that have been made. After Dobbs v Jackson Women's Health Organization – which repealed Roe v Wade, Justice Clarence Thomas said “In future cases, we should reconsider all of this Court's substantive due process precedents, including Griswold, Lawrence, and Obergefell. Because any substantive due process decision is 'demonstrably erroneous' ... we have a duty to 'correct the error' established in those precedents.” Queer stories are being removed from schools and libraries. Queer people are being fired for being true to themselves in the workplace. Children and teens are being barred from discovering their identities, being told they are “too young” to know who they are, and that any adult teaching them about queer topics is a “groomer”.
So, to my fellow young people, especially young queer people such as myself, I implore you to stay informed and discover your history – remember those who came before you. You deserve to live a full, meaningful life regardless of how others may unfairly judge you. Seek out queer elders, and listen to their stories. Keep in your hearts the ones who cannot be here today – the ones whose stories have not been told. Remember that this play is not a complete history. Consider people like Chanel Chandler and Rita Hester, two transgender women who were murdered a week before and a month after Matthew Shepard respectively, but did not get nearly as much media attention as he did. Remember the countless queer people that had been killed before and since just for being themselves. Not all victims get the same amount of public interest – this is just one story of one boy who was taken from the world far too soon, and made to be emblematic of a problem much bigger than himself.
Remember the pain shown in this play, but remember the joy as well. There are many moments that warmed my heart, and hopefully will yours as well – moments that show the joys of helping others even when it’s hard, organizing as a community to be greater than the sum of your parts, and standing up to prejudices held for so long they begin to be taken as fact. Every single person has the opportunity to change for the better if they put in the effort. Everyone has the chance to make the world a slightly better place.
AUTHOR'S NOTES
The Laramie Project was written through a unique collaboration by Tectonic Theater Project. During the year-and-a-half development of the play, members of the company and I traveled to Laramie, Wyoming, six times to conduct interviews with the people of the town. We transcribed and edited the interviews, then conducted several workshops in which the members of the company presented material and acted as dramaturgs in the creation of the play. As the volume of material grew with each additional trip to Laramie, a small writers’ group from within the company began to work closely with me to further organize and edit the material, conduct additional research in Laramie, and collaborate on the writing of the play. This group was led by Leigh Fondakowski as Head Writer, with Stephen Belber and Greg Pierotti as Associate Writers. As we got closer to the play’s first production in Denver, the actors, including Stephen Belber and Greg Pierotti, turned their focus to performance, while Leigh Fondakowski continued to work with me on drafts of the play, as did Stephen Wangh, who by then had joined us an Associate Writer and “bench coach.” — Moisés Kaufman
CAST LIST
The Laramie Project
Amanda Gronich, Marge Murray, Sherry Aanenson, Newsperson #3, Shannon, Juror #5
Hannah Allie
April Silva, Minister’s Wife, Tiffany Edwards, Lucy Thompson
Juliana Campos-Taylor
Jonas Slonaker, Phil Labrie, Russel Henderson, Aaron McKinney
Sam Carlson
Rebecca Hilliker, Trish Steger, Newsperson, Sherry Johnson
Maddie Christie
Alison Mears, Catherine Connolly, Juror #1, Foreperson
Kalyn DIercks
omaine Patterson, Governor Geringer, Cal Rerucha
Hugo Dums
Zackie Salmon, Leigh Fondakowski, Jen, Juror #4
Rebecca Finkbeiner
Barbara Pitts, Zubaida Ula, Newsperson #1, Email Writer, Juror #3
Yasmeen Harris
Eileen Engen, Waitress, Reggie Fluty, Juror #2
Maggie Jay
Reporter, Kristin Price, Judge, Newsperson #2
Janet Jurado
Stephen Belber, Aaron Kreifels, Jeffrey Lockwood, Bill McKinney, Kerry Drake
Christian Luvianos
Philip Dubois, John Peacock, Father Roger Schmit, Rob Debree, Anonymous, Rev Fred Phelps
Braden Miller
Jedadiah Schultz, Andy Paris, Baptist Minister, Dr. Cantway, Gil Engen, Juror #6
Lucas Pitt
Moisés Kaufman, Shadow, Rulon Stacey, Newsperson #4, Andrew Gomez, Bailiff
Sebastian Keanu Rivera
Doc O’Connor, Stephen Mead Johnson, Matt Mickelson, Harry Woods, Priest, Home Teacher, Dennis Shepard
Colton Smith
Greg Pierotti, Sgt. Hing, Doug Laws, Matt Galloway, Conrad Miller
Quincy Wilson
CAST BIOS
HANNAH ALLIE (Amanda Gronich, Marge Murray, Sherry Aanenson, Newsperson #3, Shannon, Juror #5) is a junior Theatre Arts major with a concentration in Musical Theatre. Hannah transferred here from the College of Lake County, where her credits included School House Rock Live! (Shulie), Desdemona: A Play About a Handkerchief (Emilia), Complete Works of William Shakespeare [Abridged] (Actor 2/Jess), Into the Woods (Lucinda) and The Squirrels (Intimacy Captain / Swing).
JULIANA CAMPOS-TAYLOR (April Silva, Minister’s Wife, Tiffany Edwards, Lucy Thompson) is a first year Theatre Arts major with a concentration in Musical Theatre. Previous roles include Seussical Jr. (Stage Manager), and Moana Jr. (Assistant Director) at the Truckee Community Theatre.
SAM CARLSON (Jonas Slonaker, Phil Labrie, Russel Henderson, Aaron McKinney) is a juniorTheatre Arts major with a concentration in Musical Theatre. Previous credits include The Aliens (Evan), and Spring Awakening (Asst. Stage Manager) at UW-Parkside, and Lions in Illyria (Andrew/Sebastian), Into the Woods (Jack), and As You Like It (Silvius), The Complete Works of William Shakespeare [Abridged] (Sound Board Operator) and Play On! (Sound Board Operator) at the College of Lake County.
MADDIE CHRISTIE (Rebecca Hilliker, Trish Steger, Newsperson, Sherry Johnson) is a sophomore Theatre Arts major whose previous credits include Little Mermaid Jr., You're a Good Man Charlie Brown, 100 Years of Broadway, The Play That Goes Wrong, Legally Blonde and Spring Awakening.
KALYN DIERCKS (Alison Mears, Catherine Connolly, Juror #1, Foreperson) is a senior Theatre Arts major with concentrations in Acting and Design & Technology. Previous acting credits include The Wolves (Soccer Mom, U/S #8, #11), Indecent (U/S The Middle), and The Penelopiad (Maid/Naiad Mother) at UW-Parkside. Additional credits at UW-Parkside include Spring Awakening (Assistant Costume Designer/Assistant Intimacy Director), Reasons to be Pretty (Intimacy Director), and The Aliens (Wardrobe Supervisor). This past summer, Kalyn worked at the Colorado Shakespeare Festival as a costume apprentice on Much Ado About Nothing, Winter’s Tale, King Lear, One Man Two Guvnors, and Comedy of Errors.
REBECCA FINKBEINER (Zackie Salmon, Leigh Fondakowski, Jen, Juror #4) is a first-year Theatre Arts major with a concentration in Acting. Previous credits include Annie (Miss Hannigan) at the National Youth Theatre, Les Miserables (Ensemble), and Peter Pan (Pirate) at Christian Youth Theatre.
YASMEEN HARRIS (Barbara Pitts, Zubaida Ula, Newsperson #1, Email Writer, Juror #3) is a first year Theatre Arts major with a concentration in Musical Theatre.
MAGGIE JAY (Eileen Engen, Waitress, Reggie Fluty, Juror #2) is a junior Theatre Arts major with concentrations in Acting and Design & Technology. Previous acting credits at UW-Parkside include Reasons to be Pretty (Steph), Circle Mirror Transformation (Theresa), and The Tourists (Peggy). Additional credits include The Aliens (Assistant Sound Designer) and The Wolves (Scenic Charge Artist).
JANET JURADO (Reporter, Kristin Price, Judge, Newsperson #2) is a senior with a double major in Communication and Theatre Arts, a concentration in Acting, and a minor in Digital Media and Production. Previous credits include Spring Awakening (Adult Woman), The Wolves (#13), She Kills Monsters (Evil Gabbi), The Penelopiad (Maid/Melantho) and Proof (Claire). She also served as soccer coach for The Wolves, wardrobe crew for Indecent, and spotlight operator for Rodgers and Hammerstein's Cinderella. Janet recently worked as a lead actress on a SAG-AFTRA horror movie directed by Jake Jarvi scheduled to be released in 2024.
CHRISTIAN LUVIANOS (Stephen Belber, Aaron Kreifels, Jeffrey Lockwood, Bill McKinney, Kerry Drake) is a first year Theatre Arts major with a concentration in Musical Theatre. Previous credits include Madagascar - A Musical Adventure jr. (Mason), Newsies (Davey), and Les Misérables (Jean Valjean) at Christian Youth Theatre.
BRADEN MILLER (Philip Dubois, John Peacock, Father Roger Schmit, Rob Debree, Anonymous, Rev Fred Phelps) is a junior Theatre Arts major with a concentration in Acting. Braden transferred from State Fair College in MO, where his previous roles include Not Now Darling (Gilbert Bodly), The Tempest (Antonio), SpongeBob the Musical (Plankton), Leveling Up (Zander), and Puffs (Cedric/Lord Voldy).
LUCAS PITT (Jedadiah Schultz, Andy Paris, Baptist Minister, Dr. Cantway, Gil Engen, Juror #6) is a second-year student at UW-Parkside. His previous Parkside credits include Hir (Arnold), and The Aliens (u/s Evan).
SEBASTIAN KEANU RIVERA (Moisés Kaufman, Shadow, Rulon Stacey, Newsperson #4, Andrew Gomez, Bailiff) is a junior Theatre Arts major with a concentration in Acting. Sebastian transferred from Harper College, where his previous roles include Proof (Hal), and Private Lives (Elyot Chase). Other credits include In the Heights (Usnavi De La Vega) with Up and Coming Theatre, and Footloose: The Musical (Ren McCormack) with the Fox Valley Theatre Company.
COLTON SMITH (Doc O’Connor, Stephen Mead Johnson, Matt Mickelson, Harry Woods, Priest, Home Teacher, Dennis Shepard) is a senior Theatre Arts major from Lawrence, Kansas. Previous acting credits include Spring Awakening (Moritz), As You Like It (Adam/Jacques), Indecent (Lemml), and The Thanksgiving Play (Caden) at UW-Parkside. Additional credits include The Curious Incident of the Dog in the Night-Time (Ed) and The Humans (Erik) at Coffeyville Community College. Recently, Colton served as assistant director for Little Shop of Horrors at the Lawrence Arts Center. Colton received the 2023 Irene Ryan Best Comedic Performance Award at the Kennedy Center American College Theatre Festival (Region 3).
QUINCY WILSON (Greg Pierotti, Sgt. Hing, Doug Laws, Matt Galloway, Conrad Miller) is a sophomore Theatre Arts major with a concentration in Acting. Previous acting credits include Naked Mole Rat Gets Dressed The Rock Experience (Grandpa Mole Rat) and The Stinky Cheese Man (Foxy Loxy) with the Cyclopedic Ensemble; Check Please/ Check Please Take 2 (Guy) with the Blue Springs Community Theatre; Puffs (Wayne Hopkins), Heathers (Kurt Kelly) and The Tempest (Gonzalo) at SFCC.
PRODUCTION TEAMS
Production Personnel
Assistant Stage Manager
Jenna Speer
Stage Management Faculty Advisor
Misti Bradford
Head Carpenter
Quincy Wilson
Assistant Lighting Designer
Petr William
Head Electrician
Petr William
Assistant Head Electrician
Zym Jackson
Props Faculty Advisor
Jody Sekas
Costume Shop Supervisor
Leslie Vaglica
Scenic Lab Supervisor
Jeff Brain
Light Board Operator
Travis Siepl
Sound Board Operator
Annagrace McCurdy
Wardrobe Supervisor
Kennedy Frick
Dialect Coach
Rachael Swartz
Box Office Manager
Alex Gray
House Manager
Audrey Jenkins
Marketing
Kim Sekas
Poster and Program Design
Kim Sekas
Production Photographer
Alyssa Nepper
Department Administrative Assistants
Joe Lambin, Edson Melendez
Theatre Arts Production Manager
Misti Bradford
Theatre Arts Department Chair
Fabrice Conte-Williamson
Props Crew
J Lofty
Maddie Christie
Juliana Campos-Taylor
Ash May
Deck Crew
Hadley Ruetten
Wardrobe Crew
Alyssa Rittacca
Costume Shop Assistants
Kalyn Diercks
Michelle Catalan
Janet Jurado
llison Hayes
Kennedy Frick
Scene Shop Assistants
Quincy Wilson
J Lofty
Travis Siepl
Matt Gould
Scenic Construction Crew
Ali Lacson
Juliana Garcia-Malacara
Giuliana Sodatelli-Damo
Maggie Jay
Colton Smith
Hadley Ruetten
Octavio Hernandez
Lexi Rogers
Hannah Allie
Brooke Mueller
Kendyl Woods
Donaji Sanchez
Leonardo Alvarez
Mara Zynda
Melissa Damas
John Roscioli
Khierra Williams
Rebecca Finkbeiner
Jade Moeller-Jordan
Kali Avery
Sebastian Rivera
Christian Luvianos
Hugu Dums
Zym Jackson
Maddie Christie
Gavin Casillas
Dakota Beresford
Lighting Crew
Travis Siepl
Alex Ortiz
Gavin Casillas
Kota Beresford
Kali Avery
Dedrick Woods
Rebecca Finkbeiner
Alyssa Ramirez
Madison Davis
Hugo Dums
Sebastian Rivera
Lea Perry
Christian Luvianos
Jade Moeller-Jordan
Avyn Holliday
Ash May
Sound Crew
Sam Carlson
Audrey Jenkins
Annagrace McCurdy
Costume Construction Crew
Braden Miller
Emily Moisant
Alyssa Rittacca
Percy Reed
Yasmeen Harris
Ivy Hurm
Thu Nguyen
Grant Pitts
Riley Werve
Avyn Holliday
Abby Bonham
PRODUCTION TEAM BIOS
JESSICA BAKER (Lighting Designer) is the Arts Technician at UW-Parkside and has been designing lights for Parkside since 2018. Recently she was the lighting associate for Fireside Dinner Theatre’s performance of Titanic the Musical. In the summer of 2023, she worked at First Stage Children’s Theatre as the assistant teacher for playwriting/design class and was the lighting designer for the company class. In the summer of 2022, she worked at The Santa Fe Opera as a lighting apprentice working on the operas Carmen, The Barber of Seville, Tristan und Isolde, and Falstaff.
MISTI BRADFORD (Costume Designer) is a professional Costume Designer and an Associate Professor at the University of Wisconsin-Parkside. Selected regional design credits include: Spring Awakening, Skylight Music Theatre (upcoming, March 2024); Boswell, MHK Productions- Off Broadway, 59E59 Theatres, 2022 and the Edinburgh Fringe Festival, 2019; Happy Days, and Annie Jump and the Library of Heaven (world premiere) Renaissance Theatre Works (Milwaukee, WI), The Nerd, Murder for Two, Milwaukee Repertory Theatre; Pride and Prejudice, Illinois Shakespeare Festival; Murder for Two, Merrimack Repertory Theatre; Much a Ado About Nothing and The Comedy of Errors, Door Shakespeare; two seasons of A Christmas Carol, Children’s Theatre of Madison; Goosebumps the Musical (world premiere) First Stage Children’s Theatre; The Thanksgiving Play, Bus Stop, Milwaukee Chamber Theatre, The Flying Dutchman, Les Misérables, Man of Lamancha, Utah Festival Opera and Musical Theatre. Misti produced five seasons as Resident Costume Designer and three seasons as Costume Crafts Supervisor and Wig Stylist with PCPA Theaterfest, (Santa Maria, CA) and has worked several seasons as a Costume Crafts Artisan for the American Player’s Theatre. Misti has designed over 25 productions at UW-Parkside and served as the Department Chair for the past five years. Misti has currently moved into the role of Production Manager for the department and will also serve as the interim Associate Dean for the College of Arts and Humanities in the Spring semester of 2024. Misti is a proud member of the United Scenic Artists, Local 829.
JEFF BRAIN (Scene Shop Supervisor) is a graduate of UW-Parkside (2020) with focuses on performance, carpentry, and props design. At Parkside, his performance credits included Romeo and Juliet (Friar Lawrence), Love's Labour's Lost (Longaville), and War of the Worlds (Announcer #2). He also designed props for Silent Sky and served as Lead Carpenter for Curious Incident... Jeff has also worked as a carpenter and props artisan for theatres including The Alley Theatre (Houston, TX), American Players Theatre (Spring Green, WI), and Fireside Dinner Theatre (Fort Atkinson, WI). He is an ensemble member of Redtwist Theatre in Chicago, where he continues to expand his portfolio of performance, carpentry, and props design.
FABRICE CONTE-WILLIAMSON (Director) is a director, actor, and theatre educator, teaching courses in directing, theatre history, dramatic literature, and dramatic criticism at the University of Wisconsin-Parkside. Fabrice received a Master of Performing Arts from the University of Nice, France, as well as an MFA in Directing and an Interdisciplinary Ph.D. from the University of Oklahoma Helmerich School of Drama. His primary research focuses on post-modern French dramatic literature and performance theory, the role of literary myth in dramatic literature, and the development of multilingual and cross-cultural theatre movements. From 2007 to 2013 Fabrice was Chair of the Department of Visual and Performing Arts at St. Gregory's University. He also taught acting and voice and movement at the University of Oklahoma where he became actively involved with the Kennedy Center American College Theatre Festival Region VI, serving as State Chair for Oklahoma and coordinator for the Arts Management and Administration Initiative (ASPIRE). Recent projects include directing Always a Bridesmaid for Waukesha Civic Theatre and The Aliens and She Kills Monsters for UW-Parkside. Fabrice currently serves as the Theatre Arts Department chair.
KENNEDY FRICK (Wardrobe Supervisor) is a sophomore Theatre Arts major with a concentration in Design & Technology. Kennedy transferred here from Allen Hancock College in CA, where their credits include Costume Designer for No Exit and Calabasas Street. Additional professional credits include Costume Designer for The Music Man and Evita at Saint Joseph High School, and Emma (Asst. Costume Design), The Sound of Music, Into the Woods, Cinderella, River Bride, and Bright Star (Stitcher), and Native Gardens (Wardrobe Crew) at the Pacific Conservatory of the Performing Arts.
KEVIN GRAY (Sound Designer) is UW-Parkside’s Sound Manager and Instructor, working with both the Theatre Arts and Music departments to produce art and events on campus. Kevin received a BA in Sound Design with a minor in Music Composition from Michigan Technological University. Design credits include The Aliens, The Curious Incident of the Dog in the Night-Time, Cinderella, and Stupid F##king Bird, for which he received a national award.
OCTAVIO HERNANDEZ (Assistant Director) is a junior Theatre Arts major with a concentration in Directing. Octavio transferred from the College of Lake County, where his credits include The Story Club (Charlie), Eurydice (Big Stone), I Have a Story to Tell (self), Gruesome Playground Injuries (Doug), Into the Woods (Assistant Director / Cinderella’s Father), School House Rock Live! (Tom), Lions in Illyria (Asst. Director), The Complete Works of William Shakespeare [Abridged] (Asst. Director), and The Squirrels (Director).
TAYLOR IRELAND (Stage Manager) is a senior Theatre Arts major with a concentration in Stage Management. Recent UW-Parkside credits include Spring Awakening (Spotlight Operator), The Aliens (Stage Manager), As You Like It (Assistant Stage Manager) and The Wolves (Assistant Stage Manager). Taylor was also the Stage Manager for The Stinky Cheese Man and Other Fair(l)y (Stoopid) Tales at Cyclopedic Ensemble, and most recently was Assistant Stage Manager for The Old Man and The Old Moon and As You Like It at Door Shakespeare.
J LOFTY (Dramaturg) is a junior Theatre Arts major with a minor in International Studies. Previous acting credits include Hir (Isaac). Additional credits include As You Like It (Assistant Props Head) and She Kills Monsters (Assistant Props Head) at UW-Parkside, as well as You’re a Good Man, Charlie Brown at STEPS Performing Arts (Props Head) and Brighton Beach Memoirs (Assistant Stage Manager) at Lakeside Players.
MYKAH MELONE (Props Lead) is a junior with a double major in Theatre Arts and English. They recently came to us from Carthage College where they were Props Designer for Legally Blonde, and Assistant Stage Manager for Betrayal. They served as the Assistant Fight Director for Shakespeare in Love at Harper College, and their acting credits include Puppet Corps (Silas Cybin) at the Bristol Renaissance Faire, Hair (Paul / Woof) at Carthage College, She Kills Monsters (Farrah the Faerie) at Elgin Community College, Gentleman’s Guide to Love and Murder (Ensemble) at Lake Zurich Players, and Macbeth (u/s Angus & Witch) at Theatre Lab.
JODY SEKAS (Scenic Designer) is a production/scenic designer for theatre and film, whose recent designs include the Off-Broadway debut of Boswell, and the upcoming feature film What Happened to Dorothy Bell. In 2021 he won the KCACTF National Scene Design Award for his design of Stupid F##king Bird. He has worked for such venues as the Oregon Shakespeare Festival, First Stage Children’s Theatre, Door Shakespeare, Milwaukee Chamber Theatre, Renaissance Theaterworks, Dell’Arte International, Rochester Civic Theatre, Omaha Theatre Company for Young People, The Western Stage, and on the films The Music Inside, Bigfoot: The Lost Coast Tapes, FLEA, and The Wine of Summer. He taught Scenography for Theatre, Film, & Dance at Humboldt State University in northern California; Scenic/Lighting Design & Technology at UW-Eau Claire and was the resident scenic & lighting designer for the Sioux Falls Playhouse in South Dakota. He is now in his eleventh year at UW-Parkside as Associate Professor of Scenic Design & Technology and is a core professor in the Digital Design & Fabrication program. See examples of his work at www.d4production.com.
JENNA SPEER (Assistant Stage Manager) is a senior Theatre Arts major with a concentration in Musical Theatre and a transfer student from State Fair Community College (Sedalia, MO). Recent credits include The Aliens (Assistant Stage Manager), The Wolves (#2) and Indecent (U/S The Ingenue) at UW-Parkside. Additional credits include Racine Theatre Guild’s The Little Mermaid (Arista), Cyclopedic Ensemble's Stinky Cheese Man (And Other Fair(L)y Stoopid Tales), Summit Theatre Group’s Mamma Mia! (Ali), SFCC’s First Date (Lauren), James and the Giant Peach (Aunt Spiker), and Coffeyville Community College’s regional premiere of The Humans (Brigid).
RACHAEL SWARTZ (Dialect Coach) teaches musical theatre, voice, movement, and on-camera acting at UW-Parkside and during the summer serves on the Acting and Musical Theatre faculty at Interlochen Center for the Arts. Rachael is a proud union member of the Stage Directors and Choreographers Society. Some of her recent regional performance credits include: The 39 Steps (Annabella/Pamela/Margaret), The Sound of Music (Mother Abbess), and Romeo and Juliet (Nurse). Recent on-camera credits include work with the Travel Channel, ID, Oxygen and TV One. She holds an undergraduate degree from Baldwin Wallace University and her MFA in Theatre Performance from The University of Southern Mississippi.
LESLIE VAGLICA (Costume Shop Supervisor) is a costumer whose foundation in fashion and art has enriched her focus in theatrical costuming. She has worked as a costume technician for Off-Broadway productions of Trevor, The Musical and Boswell, as well as for professional companies, including American Players Theatre, Milwaukee Repertory Theater, the Florentine Opera Company, Skylight Music Theatre, and Milwaukee Chamber Theatre. Professional regional design credits include The Milwaukee Repertory Theatre, Milwaukee Chamber Theatre, Sugar Creek Opera, Milwaukee Opera Theatre, Florentine Opera Company, Luminous Theatre, UW-Milwaukee Dance and Musical Theatre, Peter Stathas Dance, and Renaissance Theaterworks. She has also served as Costume Shop Manager at Hope Summer Repertory Theater in Holland, MI. Leslie is a graduate of UW-Eau Claire and holds a certificate in Apparel Product Design and Development from Mt. Mary University.
PETR WILLIAM (Assistant Lighting Designer / Production Electrician) is a junior Theatre Arts major with a concentration in Design and Technology. Past credits include Spring Awakening (Ensemble / Moritz cover / Head Electrician), Hir (Stage Manager), The Wolves (Assistant Lighting Designer), She Kills Monsters (Head Electrician), Circle Mirror Transformation (Lighting Designer), and The Mad Ones (Adam U/S). Recently, Petr directed Anne of Green Gables and a Playwriting Showcase at Racine Lutheran High School.
SPECIAL THANKS
Casa Capri for ongoing support
Susan M. Cable D.D.S. ‘81
Professor of History, Dr. Sandy Moats
UW-Parkside Office of Equity, Diversity, and Inclusion
THEATRE ARTS SUPPORTERS
The College of Arts and Humanities with the UW-Parkside Foundation gratefully acknowledges the following individuals for their investment in the Theatre Arts Department and students.
PRODUCING SPONSOR
Susan M. Cable, D.D.S., '81*
Professor of History, Dr. Sandy Moats
$1,000+
Susan M. Cable, D.D.S., '81*
Dr. Donald A. Cress*
Marie Kohler & Brian Mani*
Patricia Petretti*
$500-$999
Keith Harris
$250-$499
David R. Koss, '06
Dr. Lesley Heins Walker
$100-249
Darleen Chiappetta
Edwin & Flora Doody
Calvin Kaplan '71
Debra Karp & Stephen Smiley
Frances M. Kavenik
Heather McGee '90
You can enhance Theatre Arts Education.
In the same way that mounting a play requires a team, funding it is likewise a team effort. To produce our amazing shows, we rely on a combination of sources—ticket sales, the University, and private funding.
Play a part in advancing the student experience through your one-time or recurring contribution to the Dr. Donald A. Cress Theatre Production Enhancement Fund.
Donations listed were received Jul 1, 2022-Aug 30, 2023. For omissions or changes to this donor list, please contact development@uwp.edu
*Denotes members of the UW-Parkside Chancellor’s Society.
This production is entered in the Kennedy Center American College Theater Festival (KCACTF). UW-Parkside is very active in the Region 3, the largest region of the Kennedy CenterAmerican College Theatre Festival
We regularly accrue a significant number of Merit Awards (in Design, Direction, and Tech) as well as Acting Awards, including what we consider to be the highest accolade, The Ensemble Acting Award. At festival, our students compete and succeed.
THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRODUCTION AND DISTRIBUTING RECORDINGS OR STREAMS IN ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIBITED, A VIOLATION OF THE AUTHOR(S)’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FOR MORE INFORMATION, PLEASE VISIT:
https://concordtheatricals.com/resources/protecting-artists
About UW-Parkside
Since 1968, the University of Wisconsin-Parkside has continued to build a reputation as an outstanding liberal arts institution with particularly strong fine arts programs. With The Rita Tallent Picken Center for Arts & Humanities, our state-of-the-art instructional facilities and stunning performance venues match our award-winning academic programs and provide even greater community access. UW-Parkside offers a wide variety of undergraduate and graduate degree programs, as well as specialized online programs. Each year, more than 100 College of Lake County graduates transfer to UW-Parkside to pursue a four-year degree. The award-winning Theatre Arts program is a popular destination for transfer students.